It is desirable that such readers, for their own sakes, should not suffer the solitary word Poetry, a word of very disputed meaning, to stand in the way of their gratification but that, while they are perusing this book, they should ask themselves if it contains a natural delineation of human passions, human characters, and human incidents and if the answer be favourable to the author’s wishes, that they should consent to be pleased in spite of that most dreadful enemy to our pleasures, our own pre-established codes of decision. Readers accustomed to the gaudiness and inane phraseology of many modern writers, if they persist in reading this book to its conclusion, will perhaps frequently have to struggle with feelings of strangeness and aukwardness: they will look round for poetry, and will be induced to enquire by what species of courtesy these attempts can be permitted to assume that title. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure. The majority of the following poems are to be considered as experiments. The evidence of this fact is to be sought, not in the writings of Critics, but in those of Poets themselves.

It is the honourable characteristic of Poetry that its materials are to be found in every subject which can interest the human mind. Produced by Jonathan Ingram and PG Distributed Proofreaders

Preface to lyrical ballads text